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Main menu for Browse IS/STAG
Courses found, count: 1
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Abbreviation unit / Course abbreviation |
Title |
Variant |
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KAU
/
FO6
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Studio 6
Show course
Studio 6
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2023/2024
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Course info
KAU / FO6
:
Course description
Department/Unit / Abbreviation
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KAU
/
FO6
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Academic Year
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2023/2024
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Academic Year
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2023/2024
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Title
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Studio 6
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Form of course completion
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Exam
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Form of course completion
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Exam
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Accredited / Credits
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Yes,
17
Cred.
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Type of completion
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Practical
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Type of completion
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Practical
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Time requirements
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Seminar
16
[Hours/Week]
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Course credit prior to examination
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No
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Course credit prior to examination
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No
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Included in study average
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YES
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Language of instruction
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Czech
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Occ/max
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|
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Summer semester
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10 / -
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0 / -
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0 / -
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Included in study average
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YES
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Winter semester
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0 / -
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0 / -
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0 / -
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Repeated registration
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NO
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Repeated registration
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NO
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Timetable
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Yes
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Semester taught
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Winter + Summer
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Semester taught
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Winter + Summer
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Minimum (B + C) students
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10
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Optional course |
No
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Optional course
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No
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Language of instruction
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Czech
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Internship duration
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0
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No. of hours of on-premise lessons |
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Evaluation scale |
1|2|3|4 |
Periodicity |
každý rok
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Periodicita upřesnění |
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Fundamental theoretical course |
No
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Fundamental course |
Yes
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Fundamental theoretical course |
No
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Evaluation scale |
1|2|3|4 |
Substituted course
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KVU/FO6
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Preclusive courses
|
N/A
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Prerequisite courses
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N/A
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Informally recommended courses
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N/A
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Courses depending on this Course
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N/A
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Histogram of students' grades over the years:
Graphic PNG
,
XLS
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Course objectives:
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The aim of the course is to equip the student with basic knowledge and skills for working with light arranging, texturing, work with color, composition and composition of the picture in classical analogue and digital photography and postproduction in curriculum of editorial programs.
While the methods and forms of teaching can be described very specifically, the content structure of the subject can be defined only in general. It is a type of teaching specific to art schools where the topics of the teaching and therefore its content structure is very flexible. It results from the individual predispositions and inclinations of students and from the current socio-cultural and therefore also stylistic context of their work. Both in the field of theoretical knowledge (Episteme) and in the field of practical realization of the final product-artifact (Fronesis), student's knowledge is always shaped in a unique way.
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Requirements on student
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Requirements for the exam:
- Regular attendance at teaching
- Regular consultation seminar given tasks
- Creation and ongoing consultation semestral project
- Submission of all assigned tasks in the seminar required quality and deadlines established teacher
- Submit semester project
- presentation
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Content
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1st Introduction, theme entering final works: 1 Advertising Still Life, a lecture on still life, genre and reminders specific goals semester, still life compositions. Entering the theme semester project (CP).
2nd Light and still life
3rd Light in the studio (Flash)
4th Light in the open air - a task found still life
5th Light in the studio (permanent)
6th Light and texture
7th Working with color in still life
8th Song - Custom compositional task still life
9th composition
10th Experimental task still life
11th Consultations last task
12th Task - Advertising still life
13th Submitting all tasks semester, KP and discussion of unspecified Advertising on still life
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Activities
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Fields of study
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Guarantors and lecturers
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Literature
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Basic:
Grygar, Štěpán. Konceptuální umění a fotografie. 1. vyd. Praha : Nakladatelství AMU, 2004. ISBN 80-7331-014-7.
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Recommended:
Campany, David. Art and photography. London : Phaidon, 2003. ISBN 0-7148-4286-9.
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Recommended:
Mrázková, Daniela; Remeš, Vladimír. Cesty československé fotografie : Vyprávění o historii čs. fotografie prostřednictvím životních a tvůrčích osudů vybraných osobností a mezních vývojových okamžiků. Praha : MF, 1989. ISBN 80-204-0015-X.
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Recommended:
Císař, Karel. Co je to fotografie?. Vyd. 1. Praha : Herrmann & synové, 2004. ISBN 80-239-5169-6.
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Recommended:
Birgus, Vladimír; Mlčoch, Jan,; Malá, Olga. Česká fotografie 20. století : průvodce. Praha : Uměleckoprůmyslové muzeum, 2005. ISBN 80-7101-041-3.
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Recommended:
ANG, Tom. Fotografie: velké obrazové dějiny. Praha: Knižní klub, 2015. ISBN 978-80-242-5018-2.
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Recommended:
Pinkava I., Vaňous P. Ivan Pinkava.
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Recommended:
Flusser, Vilém. Jazyk a skutečnost. Vyd. 1. Praha : Triáda, 2005. ISBN 80-86138-54-2.
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Recommended:
Flusser, Vilém. Moc obrazu: výbor filosofických textů z 80. a 90. let. Praha: Občanské sdružení pro podporu výtvarného umění,, 1996.
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Recommended:
Třeštík, Tomáš. Osobnosti současné české reklamní a módní fotografie. [Praha] : Atemi, 2002. ISBN 80-238-8197-3.
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Recommended:
Durden, M. Photography Today. London, 2014.
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Recommended:
Silverio, Robert. Postmoderní fotografie : fotografie jako umění na konci dvacátého století. 1. vyd. V Praze : Akademie múzických umění, Filmová a televizní fakulta, Katedra fotografie, 2007. ISBN 978-80-7331-083-7.
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Recommended:
Šmok, J. Teorie skladby fotografického obrazu. Opava, 1998.
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Recommended:
Badger, Gerry. The genius of photography : how photography has changed our lives. London : Quadrille, 2011. ISBN 978-1-84400-609-0.
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Recommended:
Parr, Martin; Badger, Gerry. The photobook : a history. London : Phaidon, 2004. ISBN 0-7148-4285-0.
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Recommended:
Parr, Martin; Badger, Gerry. The photobook : a history. Volume II. 1st pub. London : Phaidon, 2006. ISBN 978-0-7148-4433-6.
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Recommended:
Parr, Martin; Badger, Gerry. The photobook : a history. wolume III. 2014. ISBN 978-0-7148-6677-2.
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Recommended:
Fárová, Tomeš. Zátiší / Josef Sudek ; [úvodní studii napsal Jan Marius Tomeš, stručný životopis autora napsala Anna Fárová].
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Recommended:
Kerlický K. Život věcí : idea zátiší ve fotografii.
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On-line library catalogues
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Time requirements
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All forms of study
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Activities
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Time requirements for activity [h]
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Presentation preparation (report) (1-10)
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10
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Undergraduate study programme term essay (20-40)
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40
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Contact hours
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208
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Practical training (number of hours)
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35
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Team project (50/number of students)
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50
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Preparation for an examination (30-60)
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60
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Individual project (40)
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40
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Total
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443
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Prerequisites
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Knowledge - students are expected to possess the following knowledge before the course commences to finish it successfully: |
about planning of a complex photographic project, its individual genres, their combinations and their relation to the cultural context,
on advanced requirements for aesthetics and art culture in connection with the traditions of photographic creation and its contemporary forms,
about the design of a photographic project based on the knowledge of advanced photographic technology, new materials, in accordance with the requirements of the advertisers and with his own authorial sense,
about postproduction of photographic material and technological, production and economic aspects,
about historical and contemporary stylish photo canons,
about visual means used in photography and its applications,
about presentation of his project according to the specific situation and customer requirements |
Skills - students are expected to possess the following skills before the course commences to finish it successfully: |
plans a complex photographic project in its different genres, their combinations and in relation to the given cultural context,
analyzes the concept of the project in the field of photography, proposes various variants according to the function of the project and promotes and defends various variants of its solution,
adheres to the standard requirements of aesthetics and artistic culture in connection with the traditions of photographic creation and its contemporary forms,
realizes an advanced photographic project based on the knowledge of photographic technology and materials used and in accordance with the requirements of the advertisers as well as with his own authorial feelings,
comes with innovative proposals for the material and adjustment of the project,
produces the resulting set based on technological, production and economic considerations,
aesthetically defines art courts and justifies their application to the evaluation of the final form of the project,
manage post-production of photos in photo/graphics programs,
reflects his work in historical and contemporary contexts,
with erudition, presents his work to the professional community and reflects his own stylistic development,
he is able to accept and assert in a way the evaluation and critical response |
Competences - students are expected to possess the following competences before the course commences to finish it successfully: |
N/A |
N/A |
N/A |
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Learning outcomes
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Knowledge - knowledge resulting from the course: |
about planning of a complex photographic project, its individual genres, their combinations and their relation to the cultural context,
on the principles of cooperation on projects of an interdisciplinary nature,
on advanced requirements for aesthetics and art culture in connection with the traditions of photographic creation and its contemporary forms,
about the design of a photographic project based on the knowledge of advanced photographic technology, new materials, in accordance with the requirements of the advertisers and with his own authorial sense,
on postproduction of photographic material and technological, production and economic aspects of project implementation,
about historical and contemporary stylish photo canons,
about visual means used in photography and its applications,
about presentation of his project according to the specific situation and customer requirements |
Skills - skills resulting from the course: |
plans a complex photographic project in its different genres, their combinations and in relation to the given cultural context,
actively and functionally engages in interdisciplinary projects using photographic media,
analyzes the concept of the project in the field of photography, proposes various variants according to the function of the project and promotes and defends various variants of its solution,
adheres to the standard requirements of aesthetics and artistic culture in connection with the traditions of photographic creation and its current forms and needs of interdisciplinary cooperation,
realizes an advanced photographic project based on the knowledge of photographic technology and materials used and in accordance with the requirements of the advertisers as well as with their own authorial feelings,
comes with innovative proposals for the material and adjustment of the project,
produces the resulting set based on technological, production and economic considerations,
aesthetically defines art courts and justifies their application to the evaluation of the final form of the project,
manage post-production of photos in photo / graphics programs,
reflects his work in historical and contemporary contexts,
with erudition, presents his work to the professional community and reflects his own stylistic development,
is able to accept and creatively use critical responses, is able to formulate them |
Competences - competences resulting from the course: |
N/A |
N/A |
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Assessment methods
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Knowledge - knowledge achieved by taking this course are verified by the following means: |
Seminar work |
Continuous assessment |
Skills - skills achieved by taking this course are verified by the following means: |
Skills demonstration during practicum |
Project |
Practical exam |
Competences - competence achieved by taking this course are verified by the following means: |
Seminar work |
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Teaching methods
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Knowledge - the following training methods are used to achieve the required knowledge: |
Students' portfolio |
One-to-One tutorial |
Seminar classes |
Interactive lecture |
Skills - the following training methods are used to achieve the required skills: |
Skills demonstration |
Students' portfolio |
Competences - the following training methods are used to achieve the required competences: |
Discussion |
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