|
|
Main menu for Browse IS/STAG
Courses found, count: 1
|
Abbreviation unit / Course abbreviation |
Title |
Variant |
|
KVU
/
BMA
|
Painting
Show course
Painting
|
2023/2024
|
Course info
KVU / BMA
:
Course description
Department/Unit / Abbreviation
|
KVU
/
BMA
|
Academic Year
|
2023/2024
|
Academic Year
|
2023/2024
|
Title
|
Painting
|
Form of course completion
|
Pre-Exam Credit
|
Form of course completion
|
Pre-Exam Credit
|
Accredited / Credits
|
Yes,
4
Cred.
|
Type of completion
|
-
|
Type of completion
|
-
|
Time requirements
|
Tutorial
3
[Hours/Week]
|
Course credit prior to examination
|
No
|
Course credit prior to examination
|
No
|
Automatic acceptance of credit before examination
|
Yes in the case of a previous evaluation 4 nebo nic.
|
Included in study average
|
NO
|
Language of instruction
|
Czech
|
Occ/max
|
|
|
|
Automatic acceptance of credit before examination
|
Yes in the case of a previous evaluation 4 nebo nic.
|
Summer semester
|
0 / -
|
27 / -
|
2 / -
|
Included in study average
|
NO
|
Winter semester
|
0 / -
|
0 / -
|
0 / -
|
Repeated registration
|
YES
|
Repeated registration
|
YES
|
Timetable
|
Yes
|
Semester taught
|
Winter + Summer
|
Semester taught
|
Winter + Summer
|
Minimum (B + C) students
|
10
|
Optional course |
Yes
|
Optional course
|
Yes
|
Language of instruction
|
Czech
|
Internship duration
|
0
|
No. of hours of on-premise lessons |
|
Evaluation scale |
S|N |
Periodicity |
každý rok
|
Periodicita upřesnění |
|
Fundamental theoretical course |
No
|
Fundamental course |
No
|
Fundamental theoretical course |
No
|
Evaluation scale |
S|N |
Substituted course
|
None
|
Preclusive courses
|
N/A
|
Prerequisite courses
|
N/A
|
Informally recommended courses
|
N/A
|
Courses depending on this Course
|
N/A
|
Histogram of students' grades over the years:
Graphic PNG
,
XLS
|
Course objectives:
|
The course is individual according to the style and degree of current gift of a student including his or her orientation. Its aim is, according to the artistic level of individuals, to teach and perfect their ability of artistic expression through the compositional exercises with colour, still-life study, painting in different places, painting of portrait and through free or applied painting creation.
|
Requirements on student
|
Credit requirements: Lessons attendance, successful completing and handing in all seminar works according to teacher´s instructions
|
Content
|
1.-13.
Composition excercise
Still-life study
Painting in differents kinds of environment
Free, applied painting
The teacher gives more detailed information about the semester progression in the initial lesson and then on during the semester according to the development of student´s talent
|
Activities
|
|
Fields of study
|
|
Guarantors and lecturers
|
|
Literature
|
-
Basic:
Kramář, Vincenc; Hobzek, Josef; Brunclík, Josef. O obrazech a galeriích. Praha : Odeon, 1983.
-
Recommended:
Zrzavý, Josef. Anatomie pro výtvarníky. Praha : Avicenum, 1977.
-
Recommended:
Čapek, Josef. Co má člověk z umění a jiné úvahy o umění z let 1911-1937. V Praze : Výtvarný odbor Umělecké besedy, 1946.
-
Recommended:
Zhoř, Igor. Člověk a výtvarné umění. Praha : Orbis, 1963.
-
Recommended:
Zykmundová, Anna. Díváme se na obrazy. Praha : Nakladatelství československých výtvarných umělců, 1956.
-
Recommended:
Malířské povídky. Praha : Nakl. Svoboda, 1985.
-
Recommended:
Copplestone Trewin. Moderní umění. SNKLU, 1965.
-
Recommended:
Lamač, Miroslav. Myšlenky moderních malířů. Praha : Nakladatelství československých výtvarných umělců, 1968.
-
Recommended:
Ochrymčuk, Leonid. Návštěva mezi obrazy : vyprávění o obrazech a umělcích a řada hravých etud pro obě oči. Praha : Státní pedagogické nakladatelství, 1973.
-
Recommended:
Padrta, Jiří; Lamač, Miroslav; Motlová, Milada. Osma a Skupina výtvarných umělců 1907 - 1917 : Teorie, kritika, polemika. Praha : Odeon, 1992. ISBN 80-207-0404-3.
-
Recommended:
Kupka F. Tvoření v umění výtvarném.
-
Recommended:
Mrkvička O. Umění a kýč. MF.
-
Recommended:
Míčko, Miroslav. Umění nebo život : Rozhovory a vyznání. Praha : Národní práce, 1944.
-
Recommended:
Lynton, Herbert. Umění 19. a 20. století. Praha : Artia, 1981.
-
On-line library catalogues
|
Time requirements
|
All forms of study
|
Activities
|
Time requirements for activity [h]
|
Presentation preparation (report) (1-10)
|
10
|
Undergraduate study programme term essay (20-40)
|
55
|
Contact hours
|
39
|
Total
|
104
|
|
Prerequisites
|
Knowledge - students are expected to possess the following knowledge before the course commences to finish it successfully: |
Knowledge about painting matching the degree of a secondary art school graduate, for secondary grammar school graduates: aptitude verified by passing an entrance talent exam successfully. |
o recognize the basic drawing and painting elements and their funcionality in the creative process (point, area, color, modelation, lights and shadows),
to show knowledge of basig theoretical patterns of imaging spacial objects into surface (linear perspective),
to recall basic technical and technological procedures of basic painting methods, |
Skills - students are expected to possess the following skills before the course commences to finish it successfully: |
to work with basic drawing and painting mediums and techniques,
to work independently and flexibly react to evaluating commentary of the teacher,
to apply the knowledge to image spacial objects and relations between them and verify their elaboration into own work (measurement and comparison of proportions, composition),
to show will to artistic experiment and to analyze is particular steps and outcomes, |
Competences - students are expected to possess the following competences before the course commences to finish it successfully: |
N/A |
N/A |
N/A |
|
Learning outcomes
|
Knowledge - knowledge resulting from the course: |
Student will deepen his/her knowledge of painting technologies, will get more experienced in colour composition. S/he can further individually target at a painting specialization according to his/her preferences. |
of deeper understanding of basic elements of painting compositions and their possibilities,
in choosing different painting techniques depending on the aim of creative work (atmosphere, character),
of options of painting based on his/her own profilation of work or discipline, |
Skills - skills resulting from the course: |
modeling of the matter by lights and shadows, to work with color in both realistic and hyperbolic and symbolic means,
to image specific individual character and features of a specific model (body and face structure, individual particularities),
to apply and further develop own specific artistic style on figural motives in painting with the starting point in academical forms aiming to free author's artistic manustript,
to find usage of painting and its various forms in own primary discipline, |
Competences - competences resulting from the course: |
N/A |
N/A |
|
Assessment methods
|
Knowledge - knowledge achieved by taking this course are verified by the following means: |
Seminar work |
Continuous assessment |
Skills - skills achieved by taking this course are verified by the following means: |
Skills demonstration during practicum |
Seminar work |
Continuous assessment |
Individual presentation at a seminar |
Competences - competence achieved by taking this course are verified by the following means: |
Portfolio |
Individual presentation at a seminar |
Self-evaluation |
|
Teaching methods
|
Knowledge - the following training methods are used to achieve the required knowledge: |
One-to-One tutorial |
Self-study of literature |
Interactive lecture |
Seminar classes |
Skills - the following training methods are used to achieve the required skills: |
Seminar |
Lecture with visual aids |
Students' portfolio |
Individual study |
Competences - the following training methods are used to achieve the required competences: |
Students' portfolio |
Skills demonstration |
|
|
|
|