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Main menu for Browse IS/STAG
Courses found, count: 1
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Abbreviation unit / Course abbreviation |
Title |
Variant |
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KVU
/
GR6
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Studio 6
Show course
Studio 6
|
2023/2024
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Course info
KVU / GR6
:
Course description
Department/Unit / Abbreviation
|
KVU
/
GR6
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Academic Year
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2023/2024
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Academic Year
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2023/2024
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Title
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Studio 6
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Form of course completion
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Exam
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Form of course completion
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Exam
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Accredited / Credits
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Yes,
17
Cred.
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Type of completion
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Practical
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Type of completion
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Practical
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Time requirements
|
Seminar
16
[Hours/Week]
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Course credit prior to examination
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No
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Course credit prior to examination
|
No
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Automatic acceptance of credit before examination
|
Yes in the case of a previous evaluation 4 nebo nic.
|
Included in study average
|
YES
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Language of instruction
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Czech, English
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Occ/max
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|
|
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Summer semester
|
7 / -
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0 / -
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1 / -
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Included in study average
|
YES
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Winter semester
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0 / -
|
0 / -
|
0 / -
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Repeated registration
|
NO
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Repeated registration
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NO
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Timetable
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Yes
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Semester taught
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Winter + Summer
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Semester taught
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Winter + Summer
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Minimum (B + C) students
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10
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Optional course |
No
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Optional course
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No
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Language of instruction
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Czech, English
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Internship duration
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0
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No. of hours of on-premise lessons |
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Evaluation scale |
1|2|3|4 |
Periodicity |
každý rok
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Periodicita upřesnění |
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Fundamental theoretical course |
No
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Fundamental course |
Yes
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Fundamental theoretical course |
No
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Evaluation scale |
1|2|3|4 |
Substituted course
|
None
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Preclusive courses
|
N/A
|
Prerequisite courses
|
N/A
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Informally recommended courses
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N/A
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Courses depending on this Course
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N/A
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Histogram of students' grades over the years:
Graphic PNG
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XLS
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Course objectives:
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The aim of the course is to teach students archetypal, prehistoric artistic expressions and techniques, solve collective projects using sand, water, stone, clay, and through working methods - impressions; transfer chamber figurative drawing methods to the relief of the matrix technique woodcut, linocut, letterpress, itaglio, engraving. Equip students with the skills to work with matrix image through relief, template, chemical pathway or digital mode and its processing in a traditional way or contemporary technology.
While the methods and forms of teaching can be described very specifically, the content structure of the subject can be defined only in general. It is a type of teaching specific to art schools where the topics of the teaching and therefore its content structure is very flexible. It results from the individual predispositions and inclinations of students and from the current socio-cultural and therefore also stylistic context of their work. Both in the field of theoretical knowledge (Episteme) and in the field of practical realization of the final product-artifact (Fronesis), student's knowledge is always shaped in a unique way.
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Requirements on student
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Exam requirements:
- Regular attendance at classes.
- Continuous active participation in the consultations.
- Preparation and submission of specified individual practical exercises in the required time and quality.
- Ongoing consultation, creation and submission of final versions of two semester projects in the required quality and within the time specified teacher.
- Presentation on CD.
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Content
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1. Ways to store images - relief, template, chemistry, or digital mode.
2. Enter the first task - block B2 printing, painting and song writing techniques venal graphic coloring.
3. - 6. Consultation semester assignment, coloring, large format printing, unique piece.
7. Entering the second semester assignment - poster B1 in the combined techniques such as serigraphy and the lino, the content is a literary theme.
8. - 13. Consultation semester assignment, combined techniques, seal, watermark. Assignment evaluation.
In this semester, students individually choose one of four positions on the matrix, preserving the image - either relief, or template, chemical way or digital way. Then implement the processing method chosen (historical - traditional or current - the current technology), combining traditional and "buried" position graphic expression to tendencies today.
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Activities
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Fields of study
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Guarantors and lecturers
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Literature
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Basic:
Krejča, Aleš. Grafické techniky. 2. vyd. Praha : Aventinum, 1994. ISBN 80-7151-636-8.
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Recommended:
Meggs, Philip B. A history of graphic design. New York : John Wiley & Sons, 1998. ISBN 0-471-29198-6.
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Recommended:
Bowlt, John E.; Hernad, Béatrice. Aus vollem Halse : Russische Buchillustration und Typographie 1900-1930. Aus den Sammlungen der Bayerischen Staatsbibliothek München. 1. Dezember 1993 - 29. Januar 1994. München : Prestel, 1993. ISBN 3-7913-1289-8.
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Recommended:
Bible podle Vydání Kralického.
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Recommended:
Stehlíková, Blanka. Cesty české ilustrace v knize pro děti a mládež. 1. vyd. Praha : Albatros, 1984.
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Recommended:
Bohatcová, Mirjam. Česká kniha v proměnách staletí. 1. vyd. Praha : Panorama, 1990. ISBN 80-7038-131-0.
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Recommended:
Pijoan, José. Dějiny umění. 1. Praha, 1998.
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Recommended:
Hájek, L. Figurální malba východní Asie.
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Recommended:
Šmejkal, František. František Muzika. Praha : Odeon, 1966.
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Recommended:
Wiedemann, Julius. Illustrations Now! : 96 illustrators from 13 countries. Hong Kong : Taschen, 2008. ISBN 978-3-8365-0509-3.
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Recommended:
Zahálka, F. Přehled knihtisku.
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Recommended:
Štech, V. V. Rembrandt Kresby a Grafika.
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Recommended:
Kritter, Ulrich von. Slawische Buchillustration im 20. Jahrhundert : Rußland, Polen, Tschechien, Slowakei. Köln : Bölau, 1998. ISBN 3-412-12497-4.
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Recommended:
Slánský, B. Technika malby. Paseka, 2005.
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Recommended:
Reynek, Bohuslav; Quinn, Justin,; Putna, Martin C.,; Šerých, Jiří. The well at morning : selected poems and graphic artworks, 1925-1971. First English edition. 2017. ISBN 978-80-246-3425-8.
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Recommended:
Čapek, Josef. Umění přírodních národů. Praha : Československý spisovatel, 1949.
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Recommended:
Kneidl, P. Z historie evropské knihy.
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Recommended:
Heller, Steven,; Wiedemann, Julius. 100 illustrators. Praha : Slovart, 2013. ISBN 978-80-7391-808-8.
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On-line library catalogues
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Time requirements
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All forms of study
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Activities
|
Time requirements for activity [h]
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Individual project (40)
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40
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Contact hours
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208
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Practical training (number of hours)
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85
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Preparation for an examination (30-60)
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60
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Presentation preparation (report) (1-10)
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10
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Undergraduate study programme term essay (20-40)
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40
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Total
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443
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Prerequisites
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Knowledge - students are expected to possess the following knowledge before the course commences to finish it successfully: |
of knowledge of typology and font making including its different qualities
of further partial division of basic graphic and alternative techniques and their usage in making of conventional complex units and graphics as own artistic epression
of common graphic and digital procedures and their integration into own automated motoric processes, of knowledge of usage of graphic techniques in unconventional way (from matrix to printing)
to plan a project and divide it into several steps, alteration of own work in the process
to repruduce professional terminology of materials and techniques of graphic art and to use it fluently in communication about creative process |
Skills - students are expected to possess the following skills before the course commences to finish it successfully: |
of making drawing designs for graphic elaborating considering specifics based on the nature of the graphic technique and its overlap to other graphic and illustratition forms and their combination
to use basic machines, tools and other equipment of graphic workshop including various chemical substances and materials for various types of printing and combine them with digital tools
of technical elaborating of matrix for the both common and less conventional graphic techniques of both mechanical and chemical nature including its functional perservation
of making uniformed style of simple complex units based od asigned task from managing particular methodical steps and evaluating aesthetics and originality to realization of final author's product
to reflect his work in historical and contemporary contexts and to be aware of potencial of those contexts for own original expression and inspirational sources which work with this reality, to knowlinglly work with this contexts
to show own creativity on generally assigned task, to show the will to find different artistic solutions, alter them and constructivelly evaluate |
Competences - students are expected to possess the following competences before the course commences to finish it successfully: |
N/A |
N/A |
N/A |
N/A |
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Learning outcomes
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Knowledge - knowledge resulting from the course: |
of typology and font making including its different qualities and to choose it based on a purpose
of further partial division of basic graphic techniques and their usage in making of conventional complex units and graphics as own artistic epression
of advanced graphic and digital procedures and their integration into own automated motoric processes, of knowledge of usages of graphic other than conventional and options they have for own creative action bot on small and large scale
to plan a complex project and divide it into several steps, finding and alteration of those steps and finding the best solution both in proces and product of the work
to repruduce professional terminology of materials and techniques of graphic art and to use it fluently in communication about creative process |
Skills - skills resulting from the course: |
of making drawing designs of higher noticeable value for graphic elaborating considering specifics based on the nature of the graphic technique and its overlap to other graphic and illustratition forms and their combination
to professionally use machines, tools and other equipment of graphic workshop including various chemical substances and materials for various types of printing and combine them with digital tools, to handle technology of large scale printing and perserving matrix for those prints
of technical elaborating of matrix for the most of common graphic techniques of both mechanical and chemical nature, to use the most appropriate way to preserve the image matrix and process historical or current way
of making uniformed style of complex unit based on asigned task from managing particular methodical steps, evaluating aesthetics and originality to realization of final author's product and compare with original function of work
to reflect his work in historical and contemporary contexts and to be aware of potencial of those contexts for own original expression and inspirational sources which work with this reality |
Competences - competences resulting from the course: |
N/A |
N/A |
N/A |
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Assessment methods
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Knowledge - knowledge achieved by taking this course are verified by the following means: |
Seminar work |
Continuous assessment |
Skills - skills achieved by taking this course are verified by the following means: |
Skills demonstration during practicum |
Project |
Practical exam |
Competences - competence achieved by taking this course are verified by the following means: |
Seminar work |
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Teaching methods
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Knowledge - the following training methods are used to achieve the required knowledge: |
Students' portfolio |
One-to-One tutorial |
Seminar classes |
Skills - the following training methods are used to achieve the required skills: |
Skills demonstration |
Students' portfolio |
Competences - the following training methods are used to achieve the required competences: |
Discussion |
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