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Main menu for Browse IS/STAG
Courses found, count: 1
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Abbreviation unit / Course abbreviation |
Title |
Variant |
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KVU
/
IM11
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Studio 11
Show course
Studio 11
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2023/2024
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Course info
KVU / IM11
:
Course description
Department/Unit / Abbreviation
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KVU
/
IM11
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Academic Year
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2023/2024
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Academic Year
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2023/2024
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Title
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Studio 11
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Form of course completion
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Exam
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Form of course completion
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Exam
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Accredited / Credits
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Yes,
17
Cred.
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Type of completion
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Practical
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Type of completion
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Practical
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Time requirements
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Seminar
16
[Hours/Week]
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Course credit prior to examination
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No
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Course credit prior to examination
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No
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Included in study average
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YES
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Language of instruction
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Czech, English
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Occ/max
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Summer semester
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0 / -
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0 / -
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0 / -
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Included in study average
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YES
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Winter semester
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0 / -
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0 / -
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0 / -
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Repeated registration
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NO
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Repeated registration
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NO
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Timetable
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Yes
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Semester taught
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Winter semester
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Semester taught
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Winter semester
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Minimum (B + C) students
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10
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Optional course |
No
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Optional course
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No
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Language of instruction
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Czech, English
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Internship duration
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0
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No. of hours of on-premise lessons |
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Evaluation scale |
1|2|3|4 |
Periodicity |
každý rok
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Periodicita upřesnění |
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Fundamental theoretical course |
No
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Fundamental course |
No
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Fundamental theoretical course |
No
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Evaluation scale |
1|2|3|4 |
Substituted course
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None
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Preclusive courses
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N/A
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Prerequisite courses
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N/A
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Informally recommended courses
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N/A
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Courses depending on this Course
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N/A
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Histogram of students' grades over the years:
Graphic PNG
,
XLS
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Course objectives:
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The aim of the course is to provide the students with competence to work with the software and hardware in the field of interactive boundary between video and audio with emphasis on the participation of a spectator. Further, to teach them to use actively the multimedia at creation of the interactive visual or audio installation and to process the AV signal in actual time in music or scenic projects.
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Requirements on student
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- attendance at the first few lessons is obligatory - non-attendance needs to be dealt with the teacher (individually)
- regular seminar attendance as well as inventiveness of the student is required
- 90% seminar attendance
- completion of all atelier tasks based on teacher's requirements
- submission and defense of the main term project in the form of sketches, drafts and preparatory texts and materials (incl. set requirements)
- independent choice of topics for the term project implementation
- conceptual approach to the implementation of a set, individual, or a collective project
- written elaboration, sketches, computer implementations, designs, maquettes and photographic cycles
- procedures during the film and documentary work implementation, ability to distribute competencies within the group (teamwork); oral defense of the aim
- correctly elaborated script both for video-performance and given thematic aim
- presentation
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Content
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- setting themes for final TP (term project) - orientation and possibilities - studying the problematic; continuous lectures given by the teacher - continuous development, correction and consultation of partial atelier works - defining the content of a student's project - project aimed at interactive communication - engagement of the users, viewers, and the audience - creation, concept and visual aspect of the interactive project - preparation and consequent realization of the concept - introduction to programming (in cooperation with IT students - the task will be to design and develop simple PC game) - creating a graphic form (drafts, sketches, 3D realization, simple interactivity) - 3D graphics use for film effects, implementation of 3D to a film, programming an easy interaction - continuous corrections, consultation and development of term project (TP) - the use of the media for a non-traditional art work - leading the students to the readiness of judgment, criticism, as well as critical self-evaluation of their own work - conceiving the form chosen as the elaborated unit from the mechanical, technical and content point of view - technically well implemented elaboration with the ambition of meaningful and imaginative project solution, such as interactive, mechanical or a computer system in the frame of projects - portfolio
Overview of a topic procedure during the completion of a partial part of the project: - Authorizing DVD program in the After Effect space - lecture, demonstrating the possibility of use - lecture on picture composition and colour in digital as well as film implementation - setting a topic, collective seminar, problem analysis - a guest lecture on a given topic - consultation of sketches, drawings or digital implementations of the aim - discussion over models, semi-finished video presentations or short films - compulsory seminars - cooperation with professionals from the fields of science and technology - visiting running exhibitions - seminar work on a given theme - consulting the choice of a media to finish the realization - project realization, work installation - exhibition - public presentation, defense, submission of the seminar work; individual opinion and reflection on the work done; thematic lectures in written and digital mode based on a personal view and insight
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Activities
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Fields of study
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Guarantors and lecturers
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Literature
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Recommended:
Morganová, Pavlína. Akční umění. Olomouc : Votobia, 1999. ISBN 80-7198-351-9.
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Recommended:
De Micheli, M. Avantgardy XX.století.
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Recommended:
Klee, Paul. Čáry. 1. vyd. Praha : Odeon, 1990. ISBN 80-207-0112-5.
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Recommended:
Sokol, Jan. Čas a rytmus 2. vydání. Praha, 2004.
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Recommended:
Dytrtová, K. Čas, prostor, hudba a výtvarné umění. Ústí nad Labem, 2006.
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Recommended:
Gilbert, Katharine Everett; Kuhn, Helmut. Dějiny estetiky. 1. vyd. Praha : Státní nakladatelství krásné literatury a umění, 1965.
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Recommended:
Pijoan, José. Dějiny umění. 1. Praha : Odeon, 1987.
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Recommended:
Beránek, Petr. Digitální video v praxi : velká kniha. 1. vyd. Brno : Unis Publishing, 2001. ISBN 80-86097-63-3.
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Recommended:
Plazewski, J. Filmová řeč. Orbis Praha, 1967.
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Recommended:
Eco, Umberto. Jak napsat diplomovou práci. Olomouc : Votobia, 1997. ISBN 80-7198-173-7.
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Recommended:
Mac Luhan, Marshall. Jak rozumět médiím : Extenze člověka. 1. vyd. Praha : Odeon, 1991. ISBN 80-207-0296-2.
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Recommended:
Srp, K. Karel Malich. Praha, NG, 1994.
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Recommended:
Lévy, Pierre. Kyberkultura : zpráva pro Radu Evropy v rámci projektu "Nové technologie: kulturní spolupráce a komunikace". V Praze : Karolinum, 2000. ISBN 80-246-0109-5.
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Recommended:
Sokol, Jan. Malá filosofie člověka a Slovník filosofických pojmů. 4. rozš. vyd., (Ve Vyšehradu 2.). Praha : Vyšehrad, 2004. ISBN 80-7021-713-8.
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Recommended:
Sokolowsky,P.,Šedivá,Z. Multimédia současnost budoucnosti. Praha, Grada, 1994.
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Recommended:
Štikar, Jiří. Obrazová komunikace. 1. vyd. Praha : Karolinum, 1992.
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Recommended:
on-line katalogy knihoven.
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Recommended:
Pešek, Jiří. Proměny času ve vztahu k bytí a jeho možnému smyslu : příspěvek k dějinám ontologického smyslu temporality. Vyd 1. Praha : Ježek, 1995. ISBN 80-85996-00-6.
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Recommended:
Patočka, Jan. Prostor a jeho problematika. in Estetika, 1991.
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Recommended:
Gombrich, Ernst Hans. Příběh umění. Praha : Odeon, 1992. ISBN 80-207-0416-7.
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Recommended:
Hesse, Hermann. Siddhartha, 1922.
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Recommended:
Kandinskij, Vasilij. Stupne, Fragment, 1994. ISBN 80-85508-20-6.
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Recommended:
Neff, Ondřej. Tajná kniha o digitální fotografii. Brno : Computer Press, 2004. ISBN 80-251-0220-3.
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Recommended:
DeFleur, Melvin L.; Ball-Rokeach, Sandra J.. Teorie masové komunikace. Praha : Karolinum, 1996. ISBN 80-7184-420-9.
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Recommended:
Vančát, Jaroslav. Tvorba vizuálního zobrazení : gnozeologický a komunikační aspekt výtvarného umění ve výtvarné výchově. Praha : Karolinum, 2000. ISBN 80-7184-975-8.
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Recommended:
Knotek, Pavel. Velká kniha skenování, úprava obrázků a tisk. 2., upr. a rozš. vyd. Brno : Unis Publishing, 2000. ISBN 80-86097-50-1.
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Recommended:
Klee, Paul. Vzpomínky, deníky, esej, Arbor Vitae, 2000.
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Recommended:
Flusser, Vilém. Za filosofii fotografie. 1. vyd. Praha : Hynek, 1994. ISBN 80-85906-04-X.
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Recommended:
Petříček, Miroslav. Znaky každodennosti čili krátké řeči téměř o ničem. 1. vyd. Praha : Herrmann & synové, 1993.
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On-line library catalogues
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Time requirements
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All forms of study
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Activities
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Time requirements for activity [h]
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Contact hours
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208
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Presentation preparation (report) (1-10)
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20
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Individual project (40)
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100
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Preparation for an examination (30-60)
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65
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Graduate study programme term essay (40-50)
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50
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Total
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443
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Prerequisites
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Knowledge - students are expected to possess the following knowledge before the course commences to finish it successfully: |
Previous completion of UUD/IM10 course. Knowledge of PC, experience with software for video and audio. English language skills.
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Learning outcomes
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Knowledge - knowledge resulting from the course: |
Students will be able to work with both software and hardware in the area of active edge of video and audio with the focus on active participation of viewers, users and the audience. The student will be able to define the content of a project, suggest several ways of solution and choose the most suitable form of realization. |
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Assessment methods
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Knowledge - knowledge achieved by taking this course are verified by the following means: |
Practical exam |
Skills demonstration during practicum |
Portfolio |
Seminar work |
Individual presentation at a seminar |
Continuous assessment |
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Teaching methods
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Knowledge - the following training methods are used to achieve the required knowledge: |
Seminar |
Multimedia supported teaching |
Task-based study method |
Skills demonstration |
Project-based instruction |
Collaborative instruction |
Individual study |
Students' portfolio |
One-to-One tutorial |
Discussion |
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