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Main menu for Browse IS/STAG
Courses found, count: 1
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Abbreviation unit / Course abbreviation |
Title |
Variant |
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KVU
/
MA6
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Studio 6
Show course
Studio 6
|
2023/2024
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Course info
KVU / MA6
:
Course description
Department/Unit / Abbreviation
|
KVU
/
MA6
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Academic Year
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2023/2024
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Academic Year
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2023/2024
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Title
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Studio 6
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Form of course completion
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Exam
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Form of course completion
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Exam
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Accredited / Credits
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Yes,
17
Cred.
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Type of completion
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Practical
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Type of completion
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Practical
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Time requirements
|
Seminar
16
[Hours/Week]
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Course credit prior to examination
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No
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Course credit prior to examination
|
No
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Automatic acceptance of credit before examination
|
Yes in the case of a previous evaluation 4 nebo nic.
|
Included in study average
|
YES
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Language of instruction
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Czech
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Occ/max
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|
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Summer semester
|
3 / -
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0 / -
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0 / -
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Included in study average
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YES
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Winter semester
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0 / -
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0 / -
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0 / -
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Repeated registration
|
NO
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Repeated registration
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NO
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Timetable
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Yes
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Semester taught
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Winter + Summer
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Semester taught
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Winter + Summer
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Minimum (B + C) students
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10
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Optional course |
No
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Optional course
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No
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Language of instruction
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Czech
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Internship duration
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0
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No. of hours of on-premise lessons |
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Evaluation scale |
1|2|3|4 |
Periodicity |
každý rok
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Periodicita upřesnění |
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Fundamental theoretical course |
No
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Fundamental course |
Yes
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Fundamental theoretical course |
No
|
Evaluation scale |
1|2|3|4 |
Substituted course
|
None
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Preclusive courses
|
N/A
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Prerequisite courses
|
N/A
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Informally recommended courses
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N/A
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Courses depending on this Course
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N/A
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Histogram of students' grades over the years:
Graphic PNG
,
XLS
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Course objectives:
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The aim of the course is to equip students with the basic knowledge and skills necessary to control the painter's expressive means. Students learn to lay out compositional elements in the specified format, use color composition and visual color quality and their more complex interactions (chord, counterpoint, etc.), reflect and use dynamic and quiet manuscripts, work with color and hard edge techniques, to perceive and use the advantages of glazing painting, or technique alla prima, etc. All this in view of the given topic and the chosen technique and technology of painting.
While the methods and forms of teaching can be described very specifically, the content structure of the subject can be defined only in general. It is a type of teaching specific to art schools where the topics of the teaching and therefore its content structure is very flexible. It results from the individual predispositions and inclinations of students and from the current socio-cultural and therefore also stylistic context of their work. Both in the field of theoretical knowledge (Episteme) and in the field of practical realization of the final product-artifact (Fronesis), student's knowledge is always shaped in a unique way.
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Requirements on student
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Exam Requirements:
- regular attendance,
- continuous production and consultation of the work,
- continuous performance, consultation and submission of all partial seminar tasks in the required quality and within the deadline set by the teacher,
- submission of the final version of the project,
- Presentation.
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Content
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1. Open-air painting - nature shots, watercolor.
2. Open-air painting - architecture, tempera.
3. - 4 Painting in the Studio - Still Life with specimens, in tempera.
5. - 6 Large-scale painting, painting abstracted reminiscence of the field, tempera.
7 - 8 Large-scale painting, painting abstracted reminiscence of the field - only two-color solution
a rich color and white.
9 A painted miniature paintings made ??by the previous watercolor technique.
10 - 11 Portrait - mutual painting, tempera technique.
12 - 13 Portrait - mutual painting, additional painting after the completion of theatrical makeup, tempera - pastel.
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Activities
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Fields of study
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Guarantors and lecturers
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Literature
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Basic:
Noshiro, Vlasta. Osobnosti českého malířství. 2. vyd. Praha : Fragment, 1998. ISBN 80-7200-274-0.
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Recommended:
Skála, Petr. Bauhaus a malířství 20. století. Plzeň : Západočeská univerzita. Fakulta humanitních studií, 2004.
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Recommended:
PETERSEN, A. R. a kol. Contemporary painting in context. Museum Tusculanum Press,, 2010. ISBN 9788763525978.
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Recommended:
Arnason, H. Harvard; Prather, Marla F.; Wheeler, Daniel. History of modern art : painting, sculpture, architecture, photography. 4th ed. New York : Harry N. Abrams, 1998. ISBN 0-8109-3439-6.
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Recommended:
Cennini, Cennino. Kniha o umění středověku. Praha : Vladimír Žikeš, 1946.
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Recommended:
Volavka, Vojtěch. Malba a malířský rukopis : úvod do studia malířského rukopisu = Malerei und die malerische Handschrift : Einführung in das Studium der malerischen Handschrift = Peinture et l'écriture picturale : introduction aux études de l'écriture picturale = Painting and brush-work : introduction to the studium of the brush-work. 1939.
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Recommended:
Hégr, Miloslav. Malba, materiály a techniky.
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Recommended:
Petr, František. Malířské techniky.
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Recommended:
Kubička, Roman. Malý technologický slovník malířství, grafiky, restaurátorství. 1. vyd. České Budějovice : Jihočeská univerzita, 1993. ISBN 80-7040-067-6.
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Recommended:
Toroň, Jiří. Materiály a praktická technologie v malbě. Praha : Akademie výtvarných umění v Praze, 1984.
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Recommended:
Hřebíčková, Barbora. Recepty starých mistrů aneb malířské postupy středověku.
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Recommended:
Biggs, Lewis. Současné tendence : Britské malířství a sochařství osmdesátých let : Katalog výstavy, Praha červen-srpen 1987. Vydání první. 1987.
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Recommended:
Slánský, Bohuslav. Technika v malířské tvorbě : Malířský a restaurátorský materiál. 2. nezměněné vyd. Praha : SNTL, 1976.
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Recommended:
Leonardo da Vinci. Úvahy o malířství. Praha, 1994.
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On-line library catalogues
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Time requirements
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All forms of study
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Activities
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Time requirements for activity [h]
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Individual project (40)
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40
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Contact hours
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208
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Undergraduate study programme term essay (20-40)
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40
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Practical training (number of hours)
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85
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Presentation preparation (report) (1-10)
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10
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Preparation for an examination (30-60)
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60
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Total
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443
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Prerequisites
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Knowledge - students are expected to possess the following knowledge before the course commences to finish it successfully: |
to equip drawing and painting procedures
reproduce the names and definitions of the basic building elements of the art language in painting
to bring together basic knowledge of supporting arts disciplines used for further technological options of painting expression
compare the results achieved on the given field of creation (both own and foreign), evaluate them and conclude those processes
to apply knowledge about basic illustratorial and semanthical morphology when designing the assigned task |
Skills - students are expected to possess the following skills before the course commences to finish it successfully: |
to make drawing and painting sketch of own compositional proposals on a given and own topic
to make a research for a given topic and to structurally introduce and explain this problematics
on the basis of criteria, select appropriate proposals based on requirements of purpose of the work
to realize the final picture (series of images) based on uniformity of own developed style
install your work into a simple exposure |
Competences - students are expected to possess the following competences before the course commences to finish it successfully: |
N/A |
N/A |
N/A |
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Learning outcomes
|
Knowledge - knowledge resulting from the course: |
about project planning (conceptual analysis of given theme, sketching), basic work with concept as with and artefact
about advanced painting techniques and their overlap to other techniques and technologies
on how to adjust and expose the work,
about the historical and contemporary styling canons of both figural and non-figural paintings, their combinations and its translations into other media
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Skills - skills resulting from the course: |
individually and in a team plans and implements a project of a complex artwork with painter's expressive means,
take into account the production of the techniques and technology used, chooses from variaty of tools suitable for expressing own image ,
emphasize the principles of pictorial expression in terms of illustrating and symbolic imagery, work with space and proportions and their deformity and the use of common compositional principles,
verify the possibilities of expressing the artwork only by color and inter-colored relationships,
they use common painting techniques, experiment and create even with less common historical and today materials and techniques in the nature of painting
reflects his work in historical and contemporary contexts, is aware of those contexts and is able to use them
reflects its work in the context of professional, technical and technological processes,
with erudition, presents his work to the professional community
he is able to accept and assert in a way the evaluation and critical response
with erudition, presents his work to the professional community
he is able to accept and assert in a way the evaluation and critical response, is able of own reflection of own and other work and further work with its findings |
Competences - competences resulting from the course: |
N/A |
N/A |
N/A |
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Assessment methods
|
Knowledge - knowledge achieved by taking this course are verified by the following means: |
Seminar work |
Continuous assessment |
Skills - skills achieved by taking this course are verified by the following means: |
Skills demonstration during practicum |
Project |
Practical exam |
Competences - competence achieved by taking this course are verified by the following means: |
Seminar work |
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Teaching methods
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Knowledge - the following training methods are used to achieve the required knowledge: |
Lecture with visual aids |
Field trip |
Students' portfolio |
One-to-One tutorial |
Skills - the following training methods are used to achieve the required skills: |
Skills demonstration |
Students' portfolio |
Competences - the following training methods are used to achieve the required competences: |
Discussion |
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