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Main menu for Browse IS/STAG
Courses found, count: 1
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Abbreviation unit / Course abbreviation |
Title |
Variant |
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KVU
/
SO11
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Studio 11
Show course
Studio 11
|
2023/2024
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Course info
KVU / SO11
:
Course description
Department/Unit / Abbreviation
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KVU
/
SO11
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Academic Year
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2023/2024
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Academic Year
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2023/2024
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Title
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Studio 11
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Form of course completion
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Exam
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Form of course completion
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Exam
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Accredited / Credits
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Yes,
17
Cred.
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Type of completion
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Practical
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Type of completion
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Practical
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Time requirements
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Seminar
16
[Hours/Week]
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Course credit prior to examination
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No
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Course credit prior to examination
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No
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Included in study average
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YES
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Language of instruction
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Czech
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Occ/max
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Automatic acceptance of credit before examination
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Yes in the case of a previous evaluation 4 nebo nic.
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Summer semester
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0 / -
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0 / -
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0 / -
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Included in study average
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YES
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Winter semester
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4 / -
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0 / -
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0 / -
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Repeated registration
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NO
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Repeated registration
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NO
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Timetable
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Yes
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Semester taught
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Winter + Summer
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Semester taught
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Winter + Summer
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Minimum (B + C) students
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10
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Optional course |
No
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Optional course
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No
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Language of instruction
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Czech
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Internship duration
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0
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No. of hours of on-premise lessons |
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Evaluation scale |
1|2|3|4 |
Periodicity |
každý rok
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Periodicita upřesnění |
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Fundamental theoretical course |
No
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Fundamental course |
Yes
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Fundamental theoretical course |
No
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Evaluation scale |
1|2|3|4 |
Substituted course
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None
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Preclusive courses
|
N/A
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Prerequisite courses
|
N/A
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Informally recommended courses
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N/A
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Courses depending on this Course
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N/A
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Histogram of students' grades over the years:
Graphic PNG
,
XLS
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Course objectives:
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The aim of the course is to help students to fully develop the knowledge and skills necessary for designing and implementing creative projects using sculptural, stonework, carpentry, carving and other auxiliary techniques. To motivate them to perceive their own work as a wider part of the cultural environment and environmental appreciation. To equip them with competencies for perception of cultural and historical context of creation. Learning outcomes of the course unit The course will support students' ability to choose an innovative solution and accentuate interdisciplinary overlap by using results from other cultural and scientific areas and to apply in practice as an original and original author.
While the methods and forms of teaching can be described very specifically, the content structure of the subject can be defined only in general. It is a type of teaching specific to art schools where the topics of the teaching and therefore its content structure is very flexible. It results from the individual predispositions and inclinations of students and from the current socio-cultural and therefore also stylistic context of their work. Both in the field of theoretical knowledge (Episteme) and in the field of practical realization of the final product-artifact (Fronesis), student's knowledge is always shaped in a unique way.
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Requirements on student
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- Regular attendance at classes, - Ongoing fulfilment of all seminar studio tasks according to the teacher's instructions, - Active involvement in solving problems, demonstrating inventiveness, - Ongoing design, consultations and corrections of term project, - Convincing artistic seizure of an assigned space, in terms of content and in terms of material, - Intellectual and practical insight into the issues of the city or the countryside, - Submitting the final version of the semester project (KP) to the teacher by the deadline, including all the required formalities - Presentation.
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Content
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Weeks 1 - 13 - Information about the course, assigning the theme of semester project (KP): developing both theoretical and practical aspects of own project according to students' own specifications. - Consideration of proposals for students' projects, specifying literature and other sources, agreeing on themes of the projects, approval of the Head of the studio with starting the work on the project designed by the student. - Continuous realization of the project - theoretical part (content of the project, consultations ...). - Continuous implementation of the project - practical part (in accordance with the theoretical assignment) - mandatory ongoing consultations, ongoing corrections required. - Individual consultations, both theoretical and practical illustrative examples of the themes of individual students. - Continuous input, corrections and submission of all the tasks as directed by the teacher, regular consultations, - Submission of final version of the theoretical and practical parts of KP by the deadline specified by the teacher. - Presentation.
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Activities
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Fields of study
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Guarantors and lecturers
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Literature
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Time requirements
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All forms of study
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Activities
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Time requirements for activity [h]
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Graduate study programme term essay (40-50)
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50
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Individual project (40)
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100
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Contact hours
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208
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Presentation preparation (report) (1-10)
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20
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Preparation for an examination (30-60)
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65
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Total
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443
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Prerequisites
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Knowledge - students are expected to possess the following knowledge before the course commences to finish it successfully: |
to recall knowledge about a wider range of conceptual and experimental expressive and visual tools of sculpture and spacial creation, about their possible reciprocal compositional relationships and their use for public creation of different forms and for their relation to cultural contexts,
to recall and apply knowledge about technical and technological procedures of supporting disciplines, about the finishing of the sculptural work surfaces, or fixation of the installation, knowledge about usage and function of other disciplines on a level of educated estimation of their real possibilities for own practice,
to interpret own knowlidge about historical and contemporary style canons and and options of sculpture and spacial artefacts, their possible conections and boundaries,
to use the suitable ways of mechanism of communication with the client to determine his/her requirements,
to critically assess his/her own work in a discipline context,
to plan a project in the production team dealing with complex audiovizual projects, about ways to justify and defend your own design activity in relation to other members of the production team,
to reproduce knowledge about the techniques of spatial and sculptural creation,
about how to adjust and expose the work, about the possibilities of full involvement in the implementation team of more complex architectural public space assignments, |
Skills - students are expected to possess the following skills before the course commences to finish it successfully: |
to apply basic knowledge about diverse sculpture working procedures suitble for creation of sculpture, object or instalation, to use wilder variety of alternative, symbolic or experimental visual and expressive tools, to be able to combine and alter them,
to plan a complex project of medial illustration and to suggest its different forms, individually and as a manager of a team of various artistic and supportive professions during realization of interactive projects of different forms,
to apply a wide array of ways of construction of action, including non-traditional practices,
to reflect its work in the context of professional, technical and technological processes, to submit his proposal and selection to the contracting authority and justify it in the respect to the task and his/her requirements,
to critically assess his/her own work in the field context and style framework,
to verify the finishing of the sculptural work surfaces, or fixation of the installation and ensure full project presentation and promotion,
with erudition, to present his work to the professional community,
to be able to accept and assert in a way the evaluation and critical response,
to explain and defend his/her choice from other members of the production team,
to be able to accept and assert in a way the evaluation and critical response |
Competences - students are expected to possess the following competences before the course commences to finish it successfully: |
N/A |
N/A |
N/A |
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Learning outcomes
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Knowledge - knowledge resulting from the course: |
about possibilities of inspiration and creation initiated by own innovative intention and a generally assigned task, about ways to evaluate and justify the social desirability of the project, about searching own tasks and problems solving by choosing aproaches aiming to individual and original conception, about suitable means of communication between contemporary civilization and art implementations of a project
about planning a complex and technically difficult sculpture project for public usage on professional level, about planing and managing work and specialized procedures including present appropriate documentation of the course of the implementation and the final outcome,
about the contemporary style canons used in the sculpture and all his forms and their translations,
about the possibilities and limits of involvement in interdisciplinary cooperation on spacial projects in more difficult complexes,
about a wide array of technological and technical procedures for sculpture in all its width, and their creative crossing, about their possible reciprocal relationships and their usage in conventional and experimental way,
of ways to compare the demands on technical possibilities and possible ways of implementation craft-wise and technology-wise, about traditional and experimental materials and their combinations in terms of aesthetics and function, |
Skills - skills resulting from the course: |
to individually plan and realise more complex projectfor public usage on professional level including drawing designs of higher noticeable value for elaborating considering specifics based on the nature of the graphic technique and its overlap to other spacial and artistic forms and their combinations,
to critically assess his/her own work in the field context and style framework, to work with several varied alternatives and variations, to choose most suitable design based on specific requirements of each project, proposes and analyzes the specific creative themes of the projects and modifies them according to wider cultural circumstances,
to be able to apply their creative potential and design wide range of valuable implementations of sculpture, to select the most suitable variant of the final graphic project and create complex design documentation, choose the appropriate technology for producing the final product, to choose appropriate documentation of the course of the implementation and the final outcome in the form of a photography catalog, 3D animation (or film documentary), and to secure the full presentation and promotion of the project,
to analyze practical applications, lead a discussion over the task analysis, to make effort to find various solutions to given problem, to maintain originality of own design and to own advancement aiming to distinctie artistic and handicraft expression, to search for artistic answers for contemporary artistic and social questions,
to be able to accept and assert in a way the evaluation and critical response, to reflect own work in the context of professional, technical and technological processes, to flexibly alter own work on the basis of continuous reflection, which is able to effectivelly formulate,
to reflect his work in historical and contemporary contexts and to be aware of potencial of those contexts for own original expression and inspirational sources which work with this reality,
with erudition, to present his work to the professional community and thus use advanced presentation principles,
to practically apply conceptual artistic thinking,
to assesses the interaction with the role of spectator and the aspect of motives and the forms of elaborating them, to experiment with a role of a spectator, |
Competences - competences resulting from the course: |
N/A |
N/A |
N/A |
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Assessment methods
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Teaching methods
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